Friday, July 6, 2018

Completing the circle

Victoria Park - winter in Rangiora (visible spectrum)
When I first started on the photographic journey, some sixty years ago, it was all black and white. Colour photography was in its infancy and was not suitable for processing at home. By my twenties, that had all changed and colour photography seemed to be pushing black and white into the history books.

Holy Innocents, Amberley (Infrared)
For some photographers though, black and white was still 'proper' photography and for others, like myself who worked mainly in colour, black and white lurked quietly in the background biding its time.

Annette @ Cafe 51 (visible spectrum)
As I look back to the beginning of this year, I can see black and white beginning to make a reappearance and, in the last couple of months, colour seems to have taken a leave of absence. Of course, I am talking about finished pictures; my cameras have not lost the ability to shoot in colour and every shot starts out life as a colour photograph. But once processed, whether it is a normal spectrum or an infrared spectrum photograph, it seems to gravitate to black and white.

Roof-lines, Oxford (Infrared)
Perhaps it's because we are in winter and black and white suits the starkness of the season, but I think there is more to it than that. I think it has something to do with returning to the beginning, bearing all the things learned on the larger journey. It's not so much about leaving colour behind, as it is about allowing all the things learned with colour to speak in black and white.

St Andrew's, Oxford (Infrared)
Who knows, perhaps next month it will be colour again. Or perhaps not.

Amberley Beach (visible spectrum)